Double Takes

Portraits and Interpretations from the Lenore Ross Curating Program

January 27 - March 5, 2017

Opening Reception:
Friday, February 17, 6pm

About the Exhibition

Artists create portraits for many reasons: to honor leaders, to memorialize the dead, and to celebrate beauty. For artists who value working from direct observation, understanding the complexities of human anatomy and capturing the subtle color shifts of hair, cloth and skin can be endlessly intriguing.

Artists also use portraiture to explore the human condition, allowing the viewer to experience an intimate connection that bridges time and place. Whether commissioned or created out of passion for a subject, portraiture continues to engage us in powerful and surprising ways.

The Lenore Ross Curating Program

Each year the PAAM invites educators and students to participate in the Lenore Ross Curating Program. Participants choose work from PAAM’s permanent collection and interpret it through art-making and creative writing, to be featured in exhibits in the museum galleries, or with cultural partners and collaborating schools.

This year’s program focused on arts educators who teach in schools along the Cape, from Provincetown to Sandwich: Michael Gillane of Provincetown Schools, Kim Possee of Truro Central Schoo, Deborah Greenwood of the Cape Cod Lighthouse Charter School, Bernadette Waystack and Deb Donovan of Monomoy High School, and Carly Smith and Peter Mann of Oak Ridge School, all chose and interpreted collection work in a workshop lead by artist Jo Hay and PAAM’s Curator of Education, Lynn Stanley.

Fittingly, the exhibition features work created by one of the founding artists of the Provincetown Art Association, Charles W. Hawthorne, and two of his students, Edwin Dickinson and Gerrit Beneker. Hawthorne was one of the first artists to establish a school in Provincetown, and he loved the town’s thriving port and the fisher-folk who worked and lived here. His First Voyage, Boy with Fish, and The Fish Wife are perfect examples of his empathetic portrayal of locals, some of whose descendants continue to live and work in town today.

Edwin Dickinson’s self-portrait is a celebration of color and paint—would you guess that the same artist created the portrait entitled Biala? And Beneker’s portraits of An Old Fashioned Girl and Admiral MacMillan exemplify both the public and more personal aspects of portraiture. Spend some time with the “people” who populate this exhibition. What stories and secrets will they tell you?

IMAGE: (L)  Art educator Peter Mann interpreting a Charles W. Hawthorne painting; (R) Charles W. Hawthorne (1872-1930), Class Study, n.d., oil on canvas, 23.5″ x 20.5″, Gift of Antoinette Scudder