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Monotype printing is ideal for the painter who would like to produce works on paper and be introduced to another way to approach painting. Monoprinting opens up the contemporary possibility of stepping away from formal easel painting. This one-day workshop will demonstrate the basic techniques to make a successful monotype print. Some of these techniques include the process of painting on a surface suitable for monoprinting, operating a printing press, and preparing paper for printing. Students should come to class with reference material from which to work to make a monotype, such as sketches, photographs, or the imagination.
Materials fee includes paper, plexi glass plates, and use of inks, presses and tools in the print studio.
* Register for four or more one-day workshops and receive 5% off. |
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Megan Hinton’s paintings and works on paper have been exhibited throughout North America, including the Hoorn-Ashby Gallery in New York City; FAA Gallery in Washington, D.C.; the O'Connor Gallery in Toronto; and the Harmon Gallery in Wellfleet. Hinton received a BFA with honors, from Ohio Wesleyan University; a Post-Baccalaureate Certificate from The School of the Museum of Fine Arts, Boston; and an MA in Studio Art from New York University. She was awarded the Dorothy Getz Fellowship from Ohio Wesleyan University, the C-Scape Dune Shack artist’s residency from the Provincetown Compact, and two print studio fellowships from the Women’s Studio Workshop, NY. She has taught at the Ottawa School of Art, The Artists' Association of Nantucket, and The Community School of Nantucket. She works and lives in Wellfleet, Massachusetts. Her work can be seen at www.meganhinton.com.
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