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In
this 5 day intensive workshop students will learn about
the fundamentals of video art- making with a professional
video artist. They will view both historic and contemporary
examples of video art, in order to learn about planning,
lighting, framing, shooting, camera use and editing.
There will be short assignments which students will
work on independently in the Provincetown landscape
for review in the workshop the following day. The last
two days of the workshop will be dedicated to a video
collaboration: the making of one or more "Video
Exquisite Corpses." Each student will shoot a 2-3
minute segment of video, backing up the footage 15 seconds,
and passing the tape on to the next student, until each
person in the workshop has participated. All workshop
participants will receive a copy of the final piece.
In addition, the Video Exquisite Corpses will be submitted
by the group to several international video festivals.
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video still |
Susan
Jennings,
who began her career showing in Provincetown at PAAM,
the East End Gallery and Kir Priore Gallery, is now represented
in New York by Michael Steinberg Fine Art and in Paris
by g-module. She has exhibited her work in New York at
Artemis, Greenberg, Van Doren Gallery, Baumgartner Gallery
and, White Columns, among other spaces. On the West Coast
she has shown in Los Angeles and Seattle and in Europe
she has shown in Milan and Paris. Among the awards she
has received are a Louis Comfort Tiffany Foundation Fellowship,
a Residency and Fellowship at MacDowell Art Colony in
Peterborough, NH and an Art Production Fund Fellowship
and Residency at the Musée Claude Monet in Giverny,
France. She also received a Texas Fine Art Association
Award for work, included in a traveling exhibition. Jennings
received her undergraduate degree from Yale University
and her MFA from Hunter College. She resides in New York
City and Alford, MA. Jennings's work was included in two
shows at PAAM, "Domestic Icons" curated by Bunny
Pearlman in 1992 and "Emerging Talent" curated
by Michael Carroll in June, 1996. |
