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Lillian Orlowsky / William Freed Museum School at PAAM
Fall and Spring, 2009-2010

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For ninety-five years the Provincetown Art Association and Museum has fostered creativity, celebrated contemporary artists, and preserved the rich artistic history of Provincetown for the next generation. Founded by artists, PAAM continues to support and be supported by the skills of dedicated teaching artists who live and work on Cape Cod.
When you choose to participate in PAAM's educational programs, you not only nurture your creativity, you help ensure that learning in the arts is available to children, youth, and adults in our extended community throughout the year.
Come study at the Museum School at PAAM year-round and join an arts community that spans a century of ground-breaking creativity.
To Register for PAAM’s Workshops: Please call 508. 487. 1750, or register online HERE
Download PRINTABLE Workshop Schedule
Past Classes
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Upcoming Classes: |
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PAINTING
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Painting the Figure with Rob Dutoit
Mondays, February 1, 8, 22 & March 1, 1:30-4:30 pm, $250
Mondays, March 8, 15, 22, 29, 1:30-4:30 pm, $250
In this exploration of painting the figure, we will alternate between fast color/tone impressions of the figure in space, and a longer development of form on one canvasrubbing out and reworking as needed. The emphasis will not be on a finished product but in going beyond our preconceptions of what a figure painting is, to something fresh and realized. There will be discussion and examples of work that illustrates these ideas.
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Rob Dutoit received his MFA from Parsons School of Design and studied for extended periods in France and Italy. An active Cape artist since the 1980s, he has been involved in numerous solo and group shows in Boston, New York and Provincetown, most recently at Maurice Arlos Gallery, NYC and at The Schoolhouse Gallery, Provincetown.
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Painting from Observation with Margaret Shields
February 2, 9, 16 & 23
12:30-4:30pm, $250
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In this class students will learn to translate the experience of seeing into ideas for painting. Making use of the fundamental strategies available to painterstonal value, color harmony, composing the flat surfacestudents will at the same time establish a sustained, direct and accurate focus on what they see. The emphasis will be on recognizing the relationship between the subject and the space it occupies. Generally this will be still life set ups, although we will have models also. The intent is to providethrough structured class worktools for personal expression. Oil paint is strongly suggested.
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Margaret Shields has been a painter for twenty-five years. She has a BFA in painting from Massachusetts College of Art and a Masters from University College, Dublin. Ms. Shields is the recipient of a Maguire Fellowship and a Pollack-Krasner award. She has taught at the Cape Cod Museum of Art, Castle Hill, Cape Cod Community College, and has been a mentor in the Fine Arts Work Center/ Mass Art Low-residency MFA program as well as at the Museum School at PAAM. She shows at the Fischbach Gallery in New York. |
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Abstract Representational Painting in Wellfleet with Megan Hinton
April 26-30, 10am-1pm
$300 (7 student limit)
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For painters who are interested in distancing themselves from reality and direct interpretation of subjects, this workshop will explore abstraction, while maintaining a sense of objectivity. An emphasis will be placed on changing the way one sees through painting and using the medium to transform reality.
Students will be encouraged to bring in reference material to paint and appropriate imagery from, including sketches, photographs, combined with the use of one’s imagination. These materials will serve as departure points from direct observation of typical subject genres. Various painting techniques and approaches will be demonstrated and introduced to encourage new pathways of expression. Participants can work in any type of water or oil based paint on canvas, panel, or paper. Some painting experience is recommended.
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Megan Hinton’s paintings and works on paper have been exhibited throughout North America, including the Hoorn-Ashby Gallery in New York City; FAA Gallery in Washington, D.C.; the O'Connor Gallery in Toronto; and the Harmon Gallery in Wellfleet. Hinton received a BFA with honors, from Ohio Wesleyan University; a Post-Baccalaureate Certificate from The School of the Museum of Fine Arts, Boston; and an MA in Studio Art from New York University. She was awarded the Dorothy Getz Fellowship from Ohio Wesleyan University, the C-Scape Dune Shack artist’s residency from the Provincetown Compact, and two print studio fellowships from the Women’s Studio Workshop, NY. She has taught at the Ottawa School of Art, The Artists' Association of Nantucket, and The Community School of Nantucket. She works and lives in Wellfleet, Massachusetts. Her work can be seen at www.meganhinton.com.
Directions to Megan’s studio will be provided upon registration. |
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DRAWING
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Drawing from Observation with Margaret Shields
Tuesdays, March 2, 9, 16 & 23,
12:30-4:30pm, $225
This workshop will allow participants to focus exclusively on drawing from observation, using various kinds of pencils and papers. This is a class for those who wish to learn accuracy in their drawing. The intent is to learn to value this process as a fertile source of visual vocabulary; as a way of paying a certain kind of non-habitual attention to what’s visible; and for the experience of drawing as a way of thinking. A primary goal will be to pursue accuracy without creating anxiety during the process.

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Margaret Shields has been a painter for twenty-five years. She has a BFA in painting from Massachusetts College of Art and a Masters from University College, Dublin. Ms. Shields is the recipient of a Maguire Fellowship and a Pollack-Krasner award. She has taught at the Cape Cod Museum of Art, Castle Hill, Cape Cod Community College, and has been a mentor in the Fine Arts Work Center/ Mass Art Low-residency MFA program as well as at the Museum School at PAAM. She shows at the Fischbach Gallery in New York.
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Gesture: The Essence of Figure Drawing in Harwich Port with Heather Blume
April 27, 28, & 29, 10am - 4pm
8 Student Limit
$350
The essence of life drawing lies in capturing the spirit of the subject. This workshop will explore various processes
and mediums designed to release and express energy in drawing. Each process will be short in duration and
participants can expect to produce a large quantity of drawings, working primarily from a model. In addition, this
class will explore extrapolating life from inanimate objects. There will be some reference to the history of gesture
drawing, including some background on other artists’ methods. The media for this workshop will be charcoal, pen
and ink, and wash on newsprint, rag, and cold press watercolor paper. This type of work produces a vital group
dynamic and participants can expect to engage in class discussions as the workshop progresses.
This workshop will be held in the artist’s private studio in Harwich Port. Directions will be supplied upon
registration.
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Heather Blume received her BFA summa cum laude in Painting from the University of North Florida in 1992, and her MFA cum laude in Sculpture from the New York Academy of Art in 1994. She has been a working artist and arts educator for the past twelve years, teaching courses and intensive workshops in drawing, painting and sculpture at art institutions including the University of North Florida, Cape Cod Community College, Truro Center for the Arts at Castle Hill, the Jacksonville Museum of Contemporary Art, and with Il Chiostro Company, in Lake Garda, Italy. Blumes’ mixed-media works have been featured in exhibitions in New York, Chicago, Philadelphia, Miami, Cape Cod, and throughout Europe. Blume is the recipient of several awards including an Artist’s Award from the Vermont Studio Center and her work is held within public collections, including the Cahoon Museum of American Art, Cotuit, MA; and the British Museum, London, England. Blume is represented in the north east at The Wit Gallery, Lennox, MA; The Field Gallery on Martha’s Vineyard, MA; and the Medialia Gallery, New York, NY. Her work can also be viewed on-line at: www.heatherblume.com
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| PRINTMAKING |
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Explorations in Printmaking: a Master Class with Vicky Tomayko
Mondays in February 1, 8, 22, & March 1, 10-4pm
Mondays in March 8, 15, 22, & 29, 10-4pm
$250 per 4 week Session
$20 Materials Fee per 4 Week Session
Register for 8 consecutive weeks and receive a $15 discount
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This course will provide an opportunity to work in the print studio with instruction and guidance for individual projects in a variety of printmaking methods. The format of the sessions is designed to benefit the serious, self-motivated individual who wants to work on a specific project or to experience printmaking in order to broaden a personal creative vocabulary. Some previous knowledge of printmaking is helpful but not mandatory. Instruction is individualized to meet the needs and interests of each participant and can include, but is not limited to, work in monotype, drypoint, mezzotint, relief, photopolymer intaglio, silk screen, and transfer processes.
The limited enrollment--(8)--provides interaction with other artists in a community atmosphere, discussion, critiques, and plenty of room to work. Access to 1 electric and 2 manual etching presses.
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Introduction to Printmaking I with Vicky Tomayko
Wednesday in February 3, 10, 17 & 24, 10-2pm $225
$20 Materials Fee
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An introduction to the art of one-of-a-kind printmaking techniques. Perfect for painters who want to expand their creative vocabulary or for anyone with an interest in works on paper. Demonstrations will include monotype, monoprint, stenciling methods, and drypoint etching. The evolution of image making using cognates (ghosts), allows for rapid development of ideas and the creation of a body of related images. Course work includes critiques and individual guidance in a community atmosphere. Access to 1 electric and 2 manual etching presses.
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Introduction to Intaglio Printmaking with Vicky Tomayko
Wednesdays, March 3, 10, 17 & 24, 10-2pm $225
$20 Materials Fee
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An introduction to non-toxic intaglio printmaking. Make intaglio prints with photopolymer plates that are etched with water. Photopolymer etching is suitable for hand drawn and photographic imagery. Course work includes individual guidance on projects, and critiques in a community atmosphere.
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Vicky Tomayko is an artist/printmaker living in Truro. She was a fellow at the Fine Arts Work Center in Provincetown and has an MFA in printmaking from Western Michigan University. She has taught printmaking at Connecticut College, the Truro Center for the Arts at Castle Hill, the Fine Arts Work Center, and at the Museum School at PAAM; for ten years she was an artist-in-residence at the Cape Cod Lighthouse Charter School in Orleans. She has also taught monoprint workshops in Truro and at the Two Rivers Printmaking Studio in Vermont. Her work is represented by The Schoolhouse Gallery in Provincetown.
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Open Print Studio at PAAM
Tuesdays, February 2-April 13, 2010 10-4pm
Fridays, January 8-29, 2010, 10-4pm
$35 per session or $25 for any student currently enrolled in a printmaking class at PAAM
This 6 hour session is open to anyone with prior printmaking experience. Working independently in a non-toxic environment the artist will have access to 1 electric and 2 manual etching presses, and printmaking tools and supplies including inks, and brayers. Paper is not provided but is available for purchase. A monitor will be present at all times to answer questions and make sure that safe printmaking practices are in practice.
Drop In Life Drawing Sessions
Tuesdays & Fridays Year Round 9:30-11:30am
$10 individual sessions or $45 for a packet of five sessions
Draw from the model in the Museum School’s light filled front studio. Bring drawing materials; easels and drawing horses provided.
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